《二十世纪中国女性史》旨在站在世纪之交回眸百年风云，阐述百年中国女性的社会解放历程和心路历程。本片由中国妇女运动史和生活史两部分构成。《二十世纪中国女性史》以二十世纪中国女性活动为线索，反映各个不同历史时期和女性相关的典型人物、典型事件，叙述百年来中国女性的风雨历程。

《二十世纪中国女性史》旨在站在世纪之交回眸百年风云，阐述百年中国女性的社会解放历程和心路历程。本片由中国妇女运动史和生活史两部分构成。《二十世纪中国女性史》以二十世纪中国女性活动为线索，反映各个不同历史时期和女性相关的典型人物、典型事件，叙述百年来中国女性的风雨历程。

China 21, a new one-hour documentary, follows four Chinese families as they step into the 21st century. Using compact digital video gear, filmmakers Ruby Yang and Lambert Yam recorded intimate portraits of ordinary people living in tumultuous times. The talk is candid and sometimes emotional. Families are small -- one child in the city, two in the country -- so children hold center stage. Veterans of the Cultural Revolution are saving up to send their son to business school. Another couple, whose son is a prize law student, glow with satisfaction. To insure his children's future, a peasant leaves his remote village to work in the quasi-legal urban job market. A farm family near Shanghai feels manhandled by the privatizing economy. They sacrifice to send their daughter to high school. China 21 introduces otherwise anonymous people whose spark and initiative are changing their country. 　　It was shown on PBS stations during May, 2003 -- Asian Pacific American Heritage Month. For related shows see the Center for Asian American Media site. 　　China 21 was funded by the Independent Television Service, with additional support from the Center for Asian American Media. 　　纪录片《中国一二》，真实反映了中国改革开放二十多年来，新一代年青人的心态以及中国 城乡地区家庭面貌的差异。该片于2002年5月在全美公共电视台 PBS 首度公映，之后还应邀参加香港和欧洲等地多项影展并在世界各地电视台播出，深受好评。

25岁的玛歌正试图完成硕士学位，并准备结束一段工作与爱情。在某次派对上，她遇见45岁在学校教史地的玛歌，她们不只撞名，人生经历竟然也都一模一样。当年轻的自己与中年的自己相遇，相同灵魂却不同年纪的两人，将会如何为各自走出更好的未来？

25岁的玛歌正试图完成硕士学位，并准备结束一段工作与爱情。在某次派对上，她遇见45岁在学校教史地的玛歌，她们不只撞名，人生经历竟然也都一模一样。当年轻的自己与中年的自己相遇，相同灵魂却不同年纪的两人，将会如何为各自走出更好的未来？

该剧由Ryan Murphy执导，背景设定在同志天堂棕榈泉，剧情类似现代版《黄金女郎》，Matt和Nathan将饰演一对同志室友，角色设定类似于《黄金女郎》中的Rose和Dorothy。

该剧由Ryan Murphy执导，背景设定在同志天堂棕榈泉，剧情类似现代版《黄金女郎》，Matt和Nathan将饰演一对同志室友，角色设定类似于《黄金女郎》中的Rose和Dorothy。

Pour la remercier de l’avoir sauvé de la noyade, un sorcier fait la démonstration de ses pouvoirs magiques à une jeune fille pas très jolie qui se rêverait belle princesse médiévale… Film en papier découpé portant sur l’attrait exercé par la beauté, La Belle Fille et le sorcier est une fable touchante sur le douloureux poids des apparences. 　　--- 　　4min / 35mm / couleur 　　Scénario : Michel Ocelot 　　Interprétation : avec les voix de, Arlette Mirapeu, Patrice Leroy, Éric Bottom, Sophie Edmond 　　Production : Studio O 　　Animation : Georges Sifianos, Lionel Kerjean, Pascal Lemaire 　　Décors : Michel Ocelot, Inni Karine Melbye 　　Montage : Michèle Péju 　　Musique : Alain Marchal 　　Distribution : Agence du court métrage

Like most of the cinematographies in the world, Georgian cinema witnessed, in the mid-20th century, the appearance of a distinguished generation of filmmakers. Some years after the great waves taught in film books, the films by filmmakers from the region started being part of the programs of the most important festivals. One of those was the first feature by Rekhviashvili, one of the cases in which the formalism of the time crossed paths with a filmmaker preoccupied by politics, ethics and the arrival of modernization. Told from the perspective of a young student who returns to his native Georgia, the film shows the struggle of the people against a foreign company that tries to exploit the natural resources of their lands for commercial purposes. A historical, anachronistic study on bureaucracy, patriotism, solidarity and the bond between man and nature. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/the-georgian-chronicle-of-the-19th-century

Historian Dr Lucy Worsley immerses herself in the world of Restoration England, exploring the captivating lives of the women of the period.